Rear Window appreciation: every apartment across that courtyard is its own silent short film
Rewatched it last night and spent half the runtime ignoring the plot on purpose. Miss Lonelyhearts setting the table for a guest who doesn't exist. The composer fighting his song. The newlyweds' blinds. Hitchcock built a whole anthology into the background and dared you to watch it instead. It's the best argument I know that a frame can be generous. There's a movie for whoever's looking.
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Create an accountThe reading I can't shake: every window is a possible future for Jeff and Lisa. The newlyweds, the bickering couple, the lonely woman, the artist who chose work over everything. The courtyard is the argument the two of them are having, staged as architecture.
okay this is going to make rewatch number nine a completely different movie. thank you and how dare you.
And the whole courtyard was one colossal indoor set — full apartments, working lights, drainage for the rain. They built a neighbourhood inside a soundstage because the movie needed a window more than it needed a location. That's the confidence of the era.
It's also the great movie about my hobby, which is watching people from a respectful distance and inventing their biographies. Jeff just takes it further than the code of conduct allows.